Open Journal Systems

Publication Frequency

Semi-annual

Journal Articles

Search scope

Journal Center

Asia Pacific Academy of Science Pte. Ltd. (APACSCI) specializes in international journal publishing. APACSCI adopts the open access publishing model and provides an important communication bridge for academic groups whose interest fields include engineering, technology, medicine, computer, mathematics, agriculture and forestry, and environment.

more

Volume Arrangement

2024

2023

more

Featured Articles

Content creation or interpolation: AI generative digital art in the classroom

The integration of generative artificial intelligence (AI) tools in art and design has disrupted the traditional creative landscape, leading to debates on the legitimacy of AI-generated art and the emergence of new markets such as non-fungible tokens (NFTs). The US Copyright Office’s February 21, 2023, ruling withdrawing copyright protection for AI-generated comic artwork, while protecting the accompanying text and arrangement, highlights the contested nature of AI art and suggests that significant human intervention in the creative process will be required for monetization. Whether considered content interpolation or content creation, AI generative content for the creation of art and design is here with human-AI collaboration. To explore the potential of AI tools in creative practice, this study introduced students in a digital art course to Craiyon and Midjourney generative AI tools, with DALL-E 2 selected as the primary tool due to its varied output. The students were tasked with selecting a preferred prompt from one tool and then reproducing the output from both tools. The results revealed significant variations in replicating the outputs of different AI tools and limited exploration of prompt engineering, leading to restrictions in the iterative process of artmaking. The students agreed that generative AI tools are not a substitute for human creativity and should be used for final projects. The study demonstrates the potential and limitations of integrating AI tools in art and design and suggests the need for further research in developing effective prompt engineering strategies.

From motion to magic: Real-time virtual-real stage effects via 3D motion capture

Immersive cultural performances with virtual-real fusion effects are the future development trend in the exhibition and stage industry. However, current virtual-real stage performances heavily rely on traditional sequential design and arrangements. During the performance, actors must move to specific positions based on the musical beat and execute predetermined actions with a pre-designed amplitude and frequency to synchronize with the fixedly played stage visual effects; otherwise, major performance accidents such as plot inconsistencies or continuity errors may occur. To address the problem, this paper introduces a real-time generation system for stage visual effects based on multi-view multi-person 3D motion capture. The system utilizes multi-view 3D motion capture technique to achieve non-intrusive real-time interaction perception of target actors in the stage space. By perceiving the spatial position and performance actions of the target actors, corresponding stage visual effects are generated in real-time. This is followed by the seamless integration of sound effects and immersive high-definition display, ultimately realizing multidimensional real-time interaction between real actors and virtual visual effects in the stage space. We conducted an experimental virtual-real stage performance, lasting approximately two minutes, in a physical theater to validate the effectiveness of our proposed method. The experiment not only produced a unique innovative effect of blending stage and technology but also effectively enhanced the sense of presence and interactivity of the stage performance, providing actors with more freedom and control in their performances.

The three elements of hypertext: Constructing digital artistry and rebooting possible lives—Take the Cheng Guang work “Life Reboot” as the center of inspection

Xiaoxi Shan, Yucheng Song

Article ID: 2179
Vol 4, Issue 2, 2023

DOI: https://doi.org/10.54517/m.v4i2.2179

Received: 19 June, 2023; Accepted: 27 August, 2023; Available online: 17 September, 2023;
Issue release: 31 December, 2023

VIEWS - 6798 (Abstract)

Download PDF

Abstract

The core characteristic of new media literature that differs from traditional print-era literature can be summarized as “digital artistry”. Based on the Cheng Guang interactive platform, the Cheng Guang literature adopts a typical hypertext model and shows a certain degree of representativeness in the creation of digital artistry. Life Reboot fully utilizes the constructive functions of the three elements of hypertext—node, link, and network—to produce aesthetic effects that are different from those of traditional literary works—digital artistry such as composite symbolic text, interactive narrative, and ontolepsis. The use of the three elements of hypertext enables readers to break through the limitations of reality, travel through multi-dimensional space and “parallel universes”, realize a life reboot, reach multiple possible lives, and obtain aesthetic experiences that traditional literary works cannot provide.

Keywords

the three elements of hypertext; Life Reboot; digital artistry; interactive narrative; ontolepsis

References

1. Landow GP. Hypertext 3.0: Critical Theory and New Media in an Era of Globalization. Johns Hopkins University Press; 2006. p. 2.

2. Huang M. Computer Art. Academia Press; 1998. pp. 100–101.

3. Shan X. Media and Literature: An Introduction to Media Literary Theory. The Commercial Press; 2015. pp. 106–108.

4. Cheng Guang. Plot branching introduction and design tip. Available online: http://www.66rpg.com/course/details/t_92/189.shtml (accessed on 11 June 2023).

5. Shan X. Media and Literature: An Introduction to Media Literary Theory. The Commercial Press; 2015. pp. 105–106.

6. Shan X. Media and Literature: An Introduction to Media Literary Theory. The Commercial Press; 2015. p. 189.

7. Shan X. Media and Literature: An Introduction to Media Literary Theory. The Commercial Press; 2015. p. 224.

8. Shan X. A study of Raine Koskimaa’s digital literature. Theoretical Studies in Literature and Art 2011; 5: 12–21.

9. Wu B. Everett and his Many-worlds Theory. Physics 2020; 11: 782.

10. Zou T. Narrative Memory and the Self. Xidian University Press; 2017. p. 219.

Refbacks

There are currently no refbacks.

This site is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0).

Academic Supporter

Institute for Metaverse, School of Artificial Intelligence (School of Future Technology), Nanjing University of Information Science & Technology (NUIST), China

Editor-in-Chief

Prof. Zhigeng Pan

Director, Institute for Metaverse, Nanjing University of Information Science & Technology, China

Honorary Editor-in-Chief

Prof. Jianrong Tan

Academician, Chinese Academy of Engineering, China

Processing Speed (2023)

- 56 days: received to online

News & Announcements

2024-10-08

Submission Deadline Extension Announcement!

Submission deadline: November 11, 2024, 23:59, GMT time zone (updated!)...

2024-09-19

14 members of our esteemed editorial team have been recognized on "The World's Top 2% Scientists" list.

On September 16, 2024, Stanford University, in collaboration with the Elsevier Data Repository, proudly unveiled the seventh edition of the prestigious list: The World's Top 2% Scientists....

2024-09-17

19th ACM SIGGRAPH International Conference on Virtual Reality and Continuum (VRC) and its Applications in Industry

In our ongoing commitment to foster advancements in Virtual Reality and Computer Graphics (VRC), ACM SIGGRAPH proudly presents VRCAI 2024.

More Announcements...

Article Tools

Indexing metadata

How to cite item

Review policy